Articles Authors Issues
contains
Approaches to a Critical History in Film Images
Methodological Reflections on Historical Research and Amateur Films
Materiality – Visuality – Performativity
The Riches of a Film Archive, 1945–1970
Images and Narratives of Camp Liberation in Historical Footage and Feature Films
The British Documentary Film Movement of the 1930s
On the Appropriation of Surveillance Footage in YOU DON’T LIKE THE TRUTH
Documentary Film and Mass Participation in the Age of YouTube
Memory and Gender in Soviet Estonian Home Movies and Amateur Films. A Case Study of the Estonian TV Series 8 MM LIFE (2014–2015)
The New Materialities of Memory
Agricultural Film and the Pedagogy of Consulting in 1950s and 1960s Austria
From the Cinefication of Schools to the Film Lesson
School Cinema and Reform Pedagogy
Wartime Economy, Educational Animation, and Film’s Plasticity
The Vienna Urania and the Cultural Film
Film Documents of Contemporary History and Educational Practice, circa 1970
Approaches to Home Movies from East Germany
Traces, Gazes, and the Archival In-Between
Anachronisms and Reflexivity in ILUMINADOS POR EL FUEGO
Towards a New Approach to Ostalgie Cinema
Fantasies of America(na) in German-American Cinema
Introduction
Sound Design and History
Language and Dialect in the Historical Film
Walter Benjamin and Archival Film Practices
Voice-Overs and Modelling History
Harun Farocki’s RESPITE
Political Film Censorship in West Germany by the Interministerieller Ausschuss für Ost/West-Filmfragen
Historical Film and the Embodied Viewer
On CALIGARI, Kracauer and New Film History
On the Desire for Presence in Historical Documentaries
An Empirical Study of the Link between Film Perception and Historical Consciousness
The Staatliche Filmdokumentation at the German Democratic Republic Film Archive
On the Playful Construction of History in THE THREE BURIALS OF MELQUIADES ESTRADA
The End of the Chilean Military Dictatorship in Pablo Larraín's Feature Film NO!
The Experience and Analysis of Historical Images on Television
Official and Ephemeral Film Documents on the Persecution and Extermination of the European Jews 1933-1945
Re-archiving Film Historiography in PHOENIX (Christian Petzold, 2014)
Audiovisual Traces, Reenactment, and Remediation in CINE MARROCOS (BR 2018)
Toward a New Type of Biography
Preserving and Curating Audiovisual Traces of LGBTIQ+ Self-Documentation in Austria and Beyond
The Traces of History in FLAT TYRE
Problematising Historical Reconstruction
Prominent Moments of Cinematic Self-Reflexivity
