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Issue 4: Audiovisual Traces

February 2022

Julian Elbers © original copyright holders.

Acceptable levels, United Kingdom, 1983, John Davies
Tadhg Dennehy

“…will you show that on your British television?” ACCEPTABLE LEVELS as Historiographic Metafiction

Li-An Ko

Destroyed Statues, a Bolex 16 mm Camera, and an Old Jeep

Evelyn Kreutzer
Noga Stiassny

Digital Digging: Traces, Gazes, and the Archival In-Between

View No 04

New approaches

Kundschafter des Friedens_Teaser
Tatiana Astafeva

On the Wrong Side of History: Towards a New Approach to Ostalgie Cinema

Photograph of files from the Bundesarchiv.
Andreas Kötzing

‘Not Approved for Screening’

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Previous issues

  • Issue 3: Sources – Meaning – Experience
  • Issue 2: Research, Debates and Projects 2.0
  • Issue 1: The Long Path to Audio-visual History (Special Issue)

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Please visit our Submit page for further information on the submission process. Proposals for New Approaches section are accepted on an ongoing basis.

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Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. More...

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Except where otherwise noted, all journal content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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No 04