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Aleksandra Miljković

Aleksandra Miljković studied Art History at the Faculty of Arts in Belgrade, Serbia. She completed her first M.A. with a specialization in Contemporary Art and Film. She later obtained a second M.A. in the Film Cultural Heritage program at the Film University Babelsberg KONRAD WOLF, where she is currently pursuing a PhD. During her studies, she worked as a research assistant on the Emmy Noether Research Project “Filmic Discourses of Scarcity”. She also worked on projects related to the Berlinale Forum and the Kurzfilmtage Oberhausen. At present, she is a research assistant on the DFG project “Consequential Images”.

Magazine texts
From Home Movie to Historical Document

Examining the Production and Initial Reception of Eva Braun’s Private Films

Published in Issue 7: Iconic Film Footage from the Nazi Era
New approaches

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Video essays

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Research in Film and History is a fully peer-reviewed online journal with a non-commercial open access policy. More...

Except where otherwise noted, all journal content is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

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